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Tags: Blues
While Buddy Guy's music is often labeled Chicago blues, his style is unique and separate. His music can vary from the most traditional, deepest blues to a creative, unpredictable and radical gumbo of the blues, avant rock, soul and free jazz that morphs at each nights performance. As New York Times pop music critic Jon Pareles noted in 2004: Mr. Guy, 68, mingles anarchy, virtuosity, deep blues and hammy shtick in ways that keep all eyes on him... [Guy] loves extremes: sudden drops from loud to soft, or a sweet, sustained guitar solo followed by a jolt of speed, or a high, imploring vocal cut off with a rasp...Whether he's singing with gentle menace or bending new curves into a blue note, he is a master of tension and release, and his every wayward impulse was riveting. Some blues fans and music critics believe that Guy's 19601967 Chess catalog remains his most satisfying body of work. This view discounts the pathfinding music Guy was creating since his early live performances, some of which is captured in the American Folk Blues Festival albums. Eric Clapton, Jeff Beck and Jimmy Page appreciated this more radical side of Guy's music, in the early 1960s. However, Guy himself has suggested that the styles represented on his albums from the 1990s, which tended to stray furthest from traditional blues, were an effort to adapt to the changing realities of commercial radio and the record business. In an revealing interview taped on April 14, 2000 for WRUW-FM Cleveland (a ...
Tags: alternative blues classical country religious rock soul pop r&b rap jazz indie hip-hop folk electronic unsigned world mu
lucaslegrand 1. Like a Rolling Stone, Bob Dylan 2. Satisfaction, The Rolling Stones 3. Imagine, John Lennon 4. What's Going On, Marvin Gaye 5. Respect, Aretha Franklin 6. Good Vibrations, The Beach Boys 7. Johnny B. Goode, Chuck Berry 8. Hey Jude, The Beatles 9. Smells Like Teen Spirit, Nirvana 10. What'd I Say, Ray Charles 11. My Generation, The Who 12. A Change Is Gonna Come, Sam Cooke 13. Yesterday, The Beatles 14. Blowin' in the Wind, Bob Dylan 15. London Calling, The Clash 16. I Want to Hold Your Hand, The Beatles 17. Purple Haze, Jimi Hendrix 18. Maybellene, Chuck Berry 19. Hound Dog, Elvis Presley 20. Let It Be, The Beatles 21. Born to Run, Bruce Springsteen 22. Be My Baby, The Ronettes 23. In My Life, The Beatles 24. People Get Ready, The Impressions 25. God Only Knows, The Beach Boys 26. A Day in the Life, The Beatles 27. Layla, Derek and the Dominos 28. (Sittin on) the Dock of the Bay, Otis Redding 29. Help!, The Beatles 30. I Walk the Line, Johnny Cash 31. Stairway To Heaven, Led Zeppelin 32. Sympathy for the Devil, The Rolling Stones 33. River Deep - Mountain High, Ike and Tina Turner 34. You've Lost That Lovin' Feelin', The Righteous Brothers 35. Light My Fire, The Doors 36. One, U2 37. No Woman, No Cry, Bob Marley and the Wailers 38. Gimme Shelter, The Rolling Stones 39. That'll Be the Day, Buddy Holly and the Crickets 40. Dancing in the Street, Martha and the Vandellas 41. The Weight, The Band 42. Waterloo Sunset, The Kinks 43. Tutti-Frutti, Little Richard ...
Tags: punk alternative country folk pop r&b soul unsigned world music rock religious rap blues classical electronic hip-hop indie jazz
solo acoustic anti establishment anti-social punk rock pairity
Tags: oort arg kosilane alternative folk runic song
Oort is an Estonian folkrock band. This is their vision of one Estonian runic song, called "Cowardly suitor". * Uidaruu, raidaraa, uu-uidaruu, pandi mind paiju raiumaie, ra-aidaraa, saare juuri juksimaie, uu-uidaruu, tammetüve tampimaie, ra-aidaraa. Leidsin ma siis kogemata, uu-uidaruu, kus aga salk oli sarapuida, ra-aidaraa, teine salk oli türnapuida, uu-uidaruu, kolmas salk oli kohlapuida, ra-aidaraa, neljas noori neidusida, uu-uidaruu, punapõski piigakesi, ra-aidaraa. Üüd neil üüles virvekirja, uu-uidaruu, sukad jalas saarekirja, ra-aidaraa. Ei olnd julgust juure minna, uu-uidaruu, südant sülle rabadaie, ra-aidaraa.
Tags: scarborough fai simon garfunkel
The truth MUST be told!! We are Sodomy and Garfuckel (formed in Sheffield, England circa 1965) and the ORIGINAL writers/performers of these bloody Simon and Garfunkel hits you've come to love. We became part of the little-known pre-Pistols British punk scene (as it was called at the time) and built up quite a fanbase in Sheffield. We were about to embark on a tour of one town over when we realized our songs had been plundered and converted into folk rock shite by those wankers. By then the Beatles and other fancy lad bands were in full swing and punk would be dormant for some ten odd years...and, it being anti-anarchy to sue, we let them piss all over our catalogue and get rich off it. Anyway in the spring of 2000, after 35 years of stewing resentment and unemployment, a resurgence of interest occurred at Oberlin College, some bloody hippy place in Indiana or something, and the new Sodomy & Garfuckel was reborn, with American drummer Davy Jones resuming most of the back-up vocals (bassist Carl Garfuckel had since forgotten how to sing due to permanent drunkenness). Sam Sodomy can be found in and around NYC; Carl teaches at times in Binghamton; and Davy Jones, well...he could be anywhere. We have played six shows (five at Oberlin) since then and we hope you enjoy these songs, played in their ORIGINAL format, from the last gig, a birthday party gig (that's the bloody industry for you) last summer in Cambridge, Mass.
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